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Examining novels written in nineteenth-century England and throughout most of the West, as well as philosophical essays on the conception of fictional form, Felicia Bonaparte sees the novel in this period not as the continuation of eighteenth-century "realism," as has commonly been assumed, but as a genre unto itself. Determined to address the crises in religion and philosophy that had shattered the foundations by which the past had been sustained, novelists of the nineteenth century felt they had no real alternative but to make the world anew. Finding in the new ideas of the early German Romantics a theory precisely designed for the remaking of the world, these novelists accepted Friedrich Schlegel's challenge to create a form that would render such a remaking possible. They spoke of their theory as poesis, etymologically "a making," to distinguish it from the mimesis associated with "realism." Its purpose, however, was not only to embody, as George Eliot put it in Middlemarch, "the idealistic in the real," giving as faithful an account of the real as observation can yield, but also to embody in that conception of the real a discussion of ideas that are its "symbolic signification," as Edward Bulwer-Lytton described it in one of his essays. It was to carry this double meaning that the nineteenth-century novelist created, Bonaparte concludes, the language of mythical symbolism that came to be the norm for this form, and she argues that it is in this doubled language that nineteenth-century fiction must be read.
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The Handbook systematically charts the trajectory of the English novel from its emergence as the foremost literary genre in the early twentieth century to its early twenty-first century status of eccentric eminence in new media environments. Systematic chapters address ̒The English Novel as a Distinctly Modern Genreʼ, ̒The Novel in the Economy', ̒Genres', ̒Gender' (performativity, masculinities, feminism, queer), and ̒The Burden of Representationʼ (class and ethnicity). Extended contextualized close readings of more than twenty key texts from Joseph Conrad's Heart of Darkness (1899) to Tom McCarthy's Satin Island (2015) supplement the systematic approach and encourage future research by providing overviews of reception and theoretical perspectives.
American fiction --- History and criticism. --- American literature --- 820-3 --- English fiction --- 820-3 Engelse literatuur: proza --- Engelse literatuur: proza --- English literature --- History and criticism --- Littérature anglaise --- Histoire et critique.
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English fiction --- -Fiction --- -820-3 "15/16" --- 094:820-3 --- Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- English literature --- History and criticism --- Engelse literatuur: proza--?"15/16" --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Engelse literatuur : proza --- Philosophy --- 094:820-3 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Engelse literatuur : proza --- 820-3 "15/16" Engelse literatuur: proza--?"15/16" --- 820-3 "15/16" --- Roman anglais --- 1500-1700 (moderne)
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Fiction --- English literature --- anno 1800-1899 --- English fiction --- 820-3 "18" --- 820-3 "18" Engelse literatuur: proza--19e eeuw. Periode 1800-1899 --- Engelse literatuur: proza--19e eeuw. Periode 1800-1899 --- History and criticism --- 820-3 --- 820-3 Engelse literatuur: proza --- Engelse literatuur: proza --- Roman anglais --- Histoire et critique --- Roman anglais. 1830-1890. --- Engelse roman. 1830-1890. --- English fiction - 19th century - History and criticism --- ROMAN ANGLAIS --- 19E SIECLE --- HISTOIRE ET CRITIQUE
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820-3 "18" --- English fiction --- -820-3 "18" Engelse literatuur: proza--19e eeuw. Periode 1800-1899 --- Engelse literatuur: proza--19e eeuw. Periode 1800-1899 --- History and criticism --- 820-3 "18" Engelse literatuur: proza--19e eeuw. Periode 1800-1899 --- Fiction --- English literature --- anno 1800-1899 --- History and criticism. --- 19th century --- ROMAN ANGLAIS --- 19E SIECLE --- HISTOIRE ET CRITIQUE
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This important new book provides a comprehensive introduction to British fiction from 1979 to the present. The volume outlines the main developments in contemporary fiction and engages with key themes such as cultural identity, gender, myth and history, postcolonialism and urban culture. In a series of lively and accessible essays, key critics introduce a broad range of leading British writers, including Salman Rushdie, Jeanette Winterson, Will Self, Pat Barker, Kazuo Ishiguro, Martin Amis and Zadie Smith. Offering an illuminating analysis and contextualiztion of British fiction today, this book will be essential reading for students and scholars of contemporary literature.
English literature --- English fiction --- History and criticism. --- 820-3 "19" --- Engelse literatuur: proza--20e eeuw. Periode 1900-1999 --- 820-3 "19" Engelse literatuur: proza--20e eeuw. Periode 1900-1999 --- History and criticism --- Fiction --- anno 1900-1999 --- English fiction - 20th century - History and criticism. --- English fiction - 20th century - History and criticism --- ENGLISH FICTION --- 20th CENTURY --- HISTORY AND CRITICISM
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Fiction --- English literature --- anno 1700-1799 --- anno 1800-1999 --- 820-3 "17/18" --- Engelse literatuur: proza--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- 820-3 "17/18" Engelse literatuur: proza--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- Roman anglais --- Personnages litteraires --- 19e siecle --- Dictionnaires --- 18e siecle
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In the past twenty years our understanding of the novel's emergence in eighteenth-century Britain has drastically changed. Drawing on new research in social and political history, the twelve contributors to this Companion challenge and refine the traditional view of the novel's origins and purposes. In various ways each seeks to show that the novel is not defined primarily by its realism of representation, but by the new ideological and cultural functions it serves in the emerging modern world of print culture. Sentimental and Gothic fiction and fiction by women are discussed, alongside detailed readings of work by Defoe, Swift, Richardson, Henry Fielding, Sterne, Smollett, and Burney. This multifaceted picture of the novel in its formative decades provides a comprehensive and indispensable guide for students of the eighteenth-century British novel, and its place within the culture of its time.
English fiction --- Roman anglais --- History and criticism. --- Histoire et critique --- 18th century --- History and criticism --- English --- English Literature --- Languages & Literatures --- 820-3 "17" --- 820-3 "17" Engelse literatuur: proza--18e eeuw. Periode 1700-1799 --- Engelse literatuur: proza--18e eeuw. Periode 1700-1799 --- English literature --- anno 1700-1799 --- English fiction - 18th century - History and criticism. --- ROMAN ANGLAIS --- 18E SIECLE --- HISTOIRE ET CRITIQUE
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82-34 --- 820-3 "17/19" --- Sprookje. Legende. Mythe --- Engelse literatuur: proza--?"17/19" --- 820-3 "17/19" Engelse literatuur: proza--?"17/19" --- 82-34 Sprookje. Legende. Mythe --- NEO-GOTHIQUE (LITTERATURE) --- LITTERATURE D'EPOUVANTE AMERICAINE --- LITTERATURE D'EPOUVANTE ANGLAISE --- HISTOIRE ET CRITIQUE
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